Historical Fiction – “Picture Bride”, A Family Saga

Historical Fiction – “Picture Bride”, A Family Saga

Historical Fiction by Michael G. Malaghan

Michael G. Malaghan
Special to The Hawai‘i Herald

Editor’s note: We continue Michael G. Malaghan’s serialized historical novel, “Picture Bride — A Family Saga,” based on the Japanese immigrant experience. Malaghan’s trilogy takes readers from turn-of-the-20th-century-Japan to Hawai‘i in the picture bride era; the Islands during World War II, highlighted by the exploits of the Nisei soldiers; and beyond.

The novel, which is now available as a printed softcover book, opens with 12-year-old Haru-chan, fleeing her home in Amakusa, Kyüshü, for Hiroshima, where she becomes the picture bride of a Buddhist priest in Hawai‘i.

Author Michael Malaghan is a retired businessman who divides his time between Hawai‘i, Florida and Japan.

PART VI: REJECTION

Chapter 97

Kailua, Hawai‘i, Aug. 19, 1920

Haru stood at the rear railing of the Matson ship pulling away from the Kailua pier moorings and waved to the hundreds of well wishers blinking into the early rays of the sun skimming the ocean’s horizon. She inhaled the rich coffee aromas rising from the ship’s hold. While Kenta, strapped to her back, played with her right earlobe, Haru’s eyes roved about, trying to make contact with the picture brides she and Kame had recruited, all now waving at her. She recognized several husbands, once carousers and gamblers who had been transformed into responsible family men. How fortunate, she reflected, that she had matched up most of the men with wives before Japan had self-imposed a “Ladies Agreement,” banning picture brides. The postwar nativist movement sweeping America had cited picture brides, who worked alongside their husbands, as a sneaky way of circumventing the 1907 Gentleman’s Agreement banning immigration of laborers. Congress dropped efforts to stop all Japanese immigration once Japan had preempted the legislation with its own ban.

Tommy, almost 4 years old, squeezed his mother’s hand. “I miss my friends,” he sobbed.

Haru reached down to pick him up. “Me too, Tommy-chan.” She gave him a squeeze. “Let’s see who will be the first to make a new friend.” Kissing him on the forehead, she eased him down on the deck. “You’re getting too big for Mommy to carry.” From the corner of her moist eyes, she caught 9-year-old Takeshi and 7-year-old Yoshio prancing up the steel-latticed steps to the bridge. She straightened her back and resumed waving at the vanishing crowd. Haru had promised herself that she would not shed another tear, but diamond beads tickled her cheeks.

So many send-offs, so much packing, so little time, she thought. The drama of resolving the strike had barely been settled when she had to switch gears and prepare for a new life at the Fort Street Hongwanji compound in Honolulu, where the tantalizing conveniences of a modern city — electricity, indoor toilets, public transportation and better schools for her children — beckoned. Kenji would be working directly with Bishop Imamura, perhaps being groomed as his successor — an un-Buddhist-like ambition she fantasized about, but would never voice.

And herself?

She didn’t know. Had she really arrived only 11 years ago as a teenage bride whose honeymoon-night rejection had left her confused and desolate? Since that frightening beginning, she had evolved into a community leader, respected by even the haoles. She had built a hotel, cultivated a garden that supplied vegetables to Oda’s Trading Post, supervised a children’s nursery and been the “mayor” of her strike village. She gave Tommy’s hand a reassuring tug as she thought of how by finding brides and counseling troubled souls she had been able to change people’s lives — and change them for the better. Would Honolulu offer such opportunities?

Haru glanced over at Kenji, chatting with Sam. Sam was excited to soon be realizing a dream shared by so many Nisei: to be sworn in as a United States citizen. Congress had passed a law promising citizenship to “any alien” who served in the United States Army during World War I. Sam was being sworn in at the Army base at Schofield Barracks on O‘ahu in three days and would then return to the Big Island, where he and Kame would continue to manage Haru’s hotel in Waimea.

As the harbor dissolved into an emerald skeleton of the low-slung Kona hills, Haru’s memory drifted to another voyage she had made two weeks earlier. She had visited Ume, who still had one good arm to feed herself. Upon entering Ume’s dimly lit and rancid-smelling room, Haru had swallowed bile to stifle the reflex to retch. Black gauze cloaked Ume’s face. She had fashioned a metal hook around the stump of her right arm.

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As a new retiree who was free to dream, Michael G. Malaghan attended a Maui Writers Conference presentation on historical novels. It left him with a deep desire to meld his interests in history and writing. After attending the premiere of historian Tom Coffman’s 2007 documentary, “The First Battle,” which detailed how Hawai‘i’s Japanese community avoided mass internment by preparing for that expected consequence three years before Japan’s attack on Pearl Harbor, Mike decided to tell the entire Japanese immigrant experience in historical novel form. His trilogy will take readers from turn-of-the-20th-century-Japan to Hawai‘i in the picture bride era; the Islands during the World War II, highlighted by the exploits of the Nisei soldiers; and beyond. Mike was born in the Midwest and raised in Florida. He graduated from the University of Florida and volunteered for the Peace Corps after college. In his business life he was president of a Walt Disney licensee, marketing English language learning materials in Japan, Taiwan, Hong Kong and Korea. Mike and his wife Tomoko, a native of Tochigi Prefecture, are worldwide travelers and adventurers. They split their time between homes in Waikiki and Winter Park, Fla., and also spend nearly a month every year visiting with Tomoko’s parents in Japan, where Mike also conducts workshops for his former company.

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